Video

1000 Voices – online storytelling as advocacy

May 19, 2011
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Thanks to reader Naomi Sunderland for writing in with a link to 1000 Voices – a project gathering first person stories of people living with disabilities in Australia to use in disability research, advocacy and policy change. Hosted at Griffith University and sponsored by a range of government and non-government orgs, the project is...

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Participatory Ethnography – One Arm Point Community School Culture Program

April 8, 2011
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Participatory Ethnography – One Arm Point Community School Culture Program

Recently published by Magabala Books is “Our World: Bardi Jaawi Life at Ardiyooloon”, a collaborative ethnography of Bardi culture as enacted through the One Arm Point Community School Culture Program. One Arm Point is an Aboriginal community on the Dampier Penninsula, North West of Broome, Western Australia. The  book draws on materials made out...

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Big Stories 2

April 1, 2011
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Big Stories 2

Out of South Australia comes the newest incarnation of Big Stories Small Towns, a project in which resident film makers have made portrait films about people in the communities of Port Augusta, Murray Bridge and Raukkan. There are also some films made by community members themselves, these are well worth having a look at,...

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Highrise – 360 Documentary

March 25, 2011
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Highrise – 360 Documentary

Following on from the National Film Board of Canada’s desire to continue participatory film making into the digital age they have produced an ambitious participatory digital ethnography project called High Rise. NFB calls High Rise a 360 degree documentary – by which they mean it is an interactive documentary – a field growing in...

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Stories of refugee experiences in Australia

October 6, 2010
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Stories of refugee experiences in Australia

Have a look at the latest posting from the Stories Project - “Villawood Mums” is a powerful film telling the stories of the mothers of two young refugee film makers living in Sydney that contrasts the experience of the two women who arrived in Australia as refugees with their families, a decade apart. Nothing...

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Toolkit for community video

September 27, 2010
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Toolkit for community video

One thing I love about the interweb is the way that people are sharing their skills, knowledge and methods with each other to further  creative practices, rather than focusing on profit… Using creative commons licenses Curiousworks has developed an online toolkit for artists, educators, media makers, community organisers with very practical step by step...

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Urban / Desert exchange – powered by video

September 9, 2010
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Urban / Desert exchange – powered by video

Check out a cool project that is using participatory video making to link communities in the western desert and the western suburbs of Sydney. The Stories Project – hosted by Curious Works in collaboration with Martu Media has brought together young film makers from the western desert and refugees living in western Sydney to...

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30 questions to put community into film

July 26, 2010
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30 questions to put community into film

Are you wanting to use film/video  as a tool in community development or community engagement?  Check out this post from the Community Media Activist blog for some questions to help shape your project…

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Exhibition of Participatory Video by Palestinian Refugees

July 22, 2010
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Exhibition of Participatory Video by Palestinian Refugees

Side by Side Online Gallery is pleased to present the  Stars of Bethlehem Exhibition. Stars of Bethlehem is a participatory video project that worked with young Palestinian refugees in camps in Bethlehem in 2007. This exhibition features 3 of the films made by young film makers during the project, representing their experiences and lives...

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Marie-Eve Leduc – Participatory Video Practitioner (Part 2)

July 22, 2010
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Marie-Eve Leduc – Participatory Video Practitioner (Part 2)

In Part 2 on Marie-Eve Leduc’s work with Participatory Video and her 2007 work running a PV project with 6 Palestinian youths in Bethlehem, Marie-Eve talks about her motivations and approach to PV and reflects on how her own identity as foreign facilitator may have influenced the direction of the youth’s films, despite efforts...

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