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	<title>Side by Side &#187; Photo Me Derby 2005</title>
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	<description>PRACTICES IN COLLABORATIVE ETHNOGRAPHY THROUGH ART</description>
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		<title>More on the Tindale collection and portraiture style in Kimberley projects</title>
		<link>http://www.sidebyside.net.au/2009/07/28/more-on-the-tindale-and-portraiture</link>
		<comments>http://www.sidebyside.net.au/2009/07/28/more-on-the-tindale-and-portraiture#comments</comments>
		<pubDate>Mon, 27 Jul 2009 17:08:49 +0000</pubDate>
		<dc:creator>Maya</dc:creator>
				<category><![CDATA[Mowanjum Tafe Youth Program 2006]]></category>
		<category><![CDATA[Photo Me Derby 2005]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[self representation]]></category>
		<category><![CDATA[portraits]]></category>
		<category><![CDATA[tindale collection]]></category>

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		<description><![CDATA[In a previous post I mentioned that as part of looking at historical photos of the Kimberley region in the Photo Me project we were given access to images from the Tindale collection, in the form of ring binders with photocopies of hundreds of 3 x 5&#8243; portraits. We were encouraged to show them around and see what info we could get on the identities of those shown in the photos. Jasmine and I did not end up showing the Tindale photocopies beyond the women who gathered regularly at the Jalaris centre and who we knew well. Looking at the faces in the Tindale collection Jasmine immediately started recognizing people. Resemblances were strong and sometimes startling, as family photos can be.  Once some of the older people in the community started looking at them with us it was clear that they were very potent and might complicate the main goals of our project (to get Aboriginal people making their own photographs). The senior women felt that to show them without warning to people &#8211; in circumstances where people may see faces of family members long dead and long unseen &#8211; would be to risk upsetting people. So we gave them [...]]]></description>
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		<title>What&#8217;s in a name?</title>
		<link>http://www.sidebyside.net.au/2009/07/28/whats-in-a-name</link>
		<comments>http://www.sidebyside.net.au/2009/07/28/whats-in-a-name#comments</comments>
		<pubDate>Mon, 27 Jul 2009 16:33:53 +0000</pubDate>
		<dc:creator>Maya</dc:creator>
				<category><![CDATA[Archivo Fotografico Indigena]]></category>
		<category><![CDATA[Chiapas Indigenous Photography Project]]></category>
		<category><![CDATA[Mowanjum Tafe Youth Program 2006]]></category>
		<category><![CDATA[Photo Me Derby 2005]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Side by Side Gallery]]></category>
		<category><![CDATA[Social Justice]]></category>
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		<category><![CDATA[tindale collection]]></category>

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		<description><![CDATA[Documenting the names of people in the AFI photos is not a priority here in Chiapas.  Indeed, anonymity and confidentiality is a necessary part of the ethics of participatory photographic practice in the region. The naming of Indigenous subjects in photographic archives, has an entirely different meaning in a contemporary Australian context.]]></description>
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		<title>Photo Me Derby Project</title>
		<link>http://www.sidebyside.net.au/2009/07/28/photo-me-derby-project</link>
		<comments>http://www.sidebyside.net.au/2009/07/28/photo-me-derby-project#comments</comments>
		<pubDate>Mon, 27 Jul 2009 14:56:50 +0000</pubDate>
		<dc:creator>Maya</dc:creator>
				<category><![CDATA[Australia]]></category>
		<category><![CDATA[Derby]]></category>
		<category><![CDATA[Jalaris]]></category>
		<category><![CDATA[Photo Me Derby 2005]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Side by Side Gallery]]></category>

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		<description><![CDATA[Photo Me Derby - now in the Side by Side Gallery The Photo Me Derby project was the first project I was involved with dedicated to collaborative photography in the Kimberley (the northern region of Western Australia). Photo Me Derby was a collaboration between Jalaris Aboriginal Corporation and Side by Side Community Project Consulting, and happened in 2005. The project grew from participatory research I had been doing with Jalaris, in which we used digital photography as a research tool and had an interest in using arts practices to engage local people in representing issues and experiences in their community. A lot of the young women associated with Jalaris were really interested in using the digital camera, so we started to think about a project to give them access to this tool. I had also been talking with Kim Lawler, another photographer working in the Kimberley about the role that photography could play in supporting young Aboriginal people across the Kimberley to get involved with arts practice, when painting, the most common art form supported in regional arts centres, was not always appropriate, or of interest to them. Kim later went on to do a long term digital media project in [...]]]></description>
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