<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Side by Side &#187; Canada</title>
	<atom:link href="http://www.sidebyside.net.au/category/places/canada/feed" rel="self" type="application/rss+xml" />
	<link>http://www.sidebyside.net.au</link>
	<description>PRACTICES IN COLLABORATIVE ETHNOGRAPHY THROUGH ART</description>
	<lastBuildDate>Thu, 19 May 2011 01:29:37 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Visual Ethnographies of Place &#8211; during and after</title>
		<link>http://www.sidebyside.net.au/2011/04/29/visual-ethnographies-of-place</link>
		<comments>http://www.sidebyside.net.au/2011/04/29/visual-ethnographies-of-place#comments</comments>
		<pubDate>Fri, 29 Apr 2011 04:00:16 +0000</pubDate>
		<dc:creator>Maya</dc:creator>
				<category><![CDATA[Cultural documentation]]></category>
		<category><![CDATA[Interactive Documentary]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[The Pilbara Project]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Welcome to Pine Point]]></category>

		<guid isPermaLink="false">http://www.sidebyside.net.au/?p=1196</guid>
		<description><![CDATA[How do we use visual ethnography to represent places? Landscape images alone often render a place somewhat opaque &#8211; capturing a static moment, leaving out the dynamism of country, weather, sensory experience, encounters, people and their lived stories. For me some of the most successful uses of the visual in telling stories of place rely on layering, building up pictures over time or from different points of view. An interesting project that is attempting to represent the many facets of place using  visual forms is the Pilbara Project - the most recent project of FORM, funded by an ongoing partnership with mining company BHP Billiton. FORM has sponsored a number of artists &#8211; mostly photographers and videographers, but also some writers &#8211; to take journeys through the Pilbara, a region in central Western Australia most famous as the site of some of Australias richest mines. The result is presented as an exhibition, much of which can be seen on the project web site. FORM is also inviting people to submit their stories of the Pilbara, for what I assume will be another participatory layer of the project to be released down the track. Click here to see a short video [...]]]></description>
		<wfw:commentRss>http://www.sidebyside.net.au/2011/04/29/visual-ethnographies-of-place/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Highrise &#8211; 360 Documentary</title>
		<link>http://www.sidebyside.net.au/2011/03/25/highrise-360-documentary</link>
		<comments>http://www.sidebyside.net.au/2011/03/25/highrise-360-documentary#comments</comments>
		<pubDate>Fri, 25 Mar 2011 02:10:09 +0000</pubDate>
		<dc:creator>Maya</dc:creator>
				<category><![CDATA[Canada]]></category>
		<category><![CDATA[Collaborative Ethnography]]></category>
		<category><![CDATA[Cultural documentation]]></category>
		<category><![CDATA[digital stories]]></category>
		<category><![CDATA[High Rise]]></category>
		<category><![CDATA[Interactive Documentary]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Social Justice]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://www.sidebyside.net.au/?p=1155</guid>
		<description><![CDATA[Following on from the National Film Board of Canada&#8217;s desire to continue participatory film making into the digital age they have produced an ambitious participatory digital ethnography project called High Rise. NFB calls High Rise a 360 degree documentary &#8211; by which they mean it is an interactive documentary &#8211; a field growing in popularity as the wonders of web design improve day by day. High Rise profiles high rise living in a number of places around the world using photography, edited extracts from interviews and oral histories and a very cool panorama web design that allows you to virtually look around the spaces in which the stories take place and dive into different elements of the stories with audio, visual and text based stories on tap. click here to see a trailer on the project or just go to the High Rise site and explore. (Check out previous posts on interesting work from the Canadian National Film Board here)]]></description>
		<wfw:commentRss>http://www.sidebyside.net.au/2011/03/25/highrise-360-documentary/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Challenge for Change and NFB Filmmaker in Residence Program</title>
		<link>http://www.sidebyside.net.au/2010/01/08/cfc-filmmakerinresidence</link>
		<comments>http://www.sidebyside.net.au/2010/01/08/cfc-filmmakerinresidence#comments</comments>
		<pubDate>Thu, 07 Jan 2010 15:06:49 +0000</pubDate>
		<dc:creator>Maya</dc:creator>
				<category><![CDATA[Canada]]></category>
		<category><![CDATA[Challenge for Change]]></category>
		<category><![CDATA[Collaborative Ethnography]]></category>
		<category><![CDATA[Cultural documentation]]></category>
		<category><![CDATA[digital stories]]></category>
		<category><![CDATA[Filmmaker-in-Residence Program]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Participatory Visual Research]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[self representation]]></category>
		<category><![CDATA[Social Justice]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[HIGHRISE]]></category>

		<guid isPermaLink="false">http://www.sidebyside.net.au/?p=952</guid>
		<description><![CDATA[One of the projects that broke new ground for movements in participatory &#38; social-change film-making was the Challenge for Change program. Created by the Canadian National Film Board in 1967, it ran until 1980 and resulted in over 140 films being made as collaborations between filmmakers and Canadian communities. The Challenge for Change program was designed to give voice to the &#8220;voiceless&#8221;, seeking to transfer control processes of filmmaking  from professional filmmakers to community members, so that ordinary Canadians in underrepresented communities could tell their own stories on screen. The most famous films from the project are from Fogo Island, and were a collaboration between academics, filmmakers and community members. The processes and learning from the Fogo Island films shaped the Challenge for Change methodology &#8211; including putting a strong focus on using the process of collaborative film making, and dissemination of resulting films, to open up dialogue between community members and policy makers about issues of importance to the community. A focus on high production value was less important than a deeply  participatory approach. Oft cited as a ground-breaking project Challenge for Change has had strong influence on models of particpatory media making in the 40 years since the [...]]]></description>
		<wfw:commentRss>http://www.sidebyside.net.au/2010/01/08/cfc-filmmakerinresidence/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
	</channel>
</rss>

